Limelight Arts: Applying a Holistic Approach to Arts Education
Abstract
For over 100 years, community art centers have supplemented or even replaced arts education in local schools.They help to provide a place where students can learn about the arts, where the community can be enriched, and where artists can work and perform.According to Jessica Hoffman Davis of Harvard University, local community-based art centers can help sustain the arts, particularly in communities where they are marginalized (2010). Especially over the past 20 years, as arts programs in schools have become more endangered, such community centers have helped to fill in gaps.
Generally such centers have been founded for one of two purposes, either to provide classes to children or revitalization for impoverished neighborhoods, generally in school districts where arts education is most often eliminated (Strom 1999). Few, however, seem to serve entire regions or to cultivate the arts in ways that resonate with students. But at Limelight Arts in Philadelphia, amore holistic approach is evident. Limelight Arts not only fills in gaps opened up by the school system, but has created a new way for students and communities to think about the importance of the arts.
Around the country, schools are eliminating arts education programs and relying on partnerships with outside organizations to provide such services (Castaneda and Rowe 2006).Philadelphia is certainly no exception. With nearly 150,000 students enrolled in the over 300 public and charter schools throughout Philadelphia (School District of Philadelphia 2011), and an annual budget of over $2.7 billion (School District of Philadelphia n.d.), a minority of students are receiving a thorough arts education in school. According to the The Philadelphia Public School Notebook, in 2006, 119 (44%) of district-run schools do not have a vocal music teacher, 109 schools (41%) lack an art teacher, and 57 schools have neither (Davis 2006).Programs such as the Philadelphia Mural Arts Program have attempted to mitigate the decline by offering after-school programs, and other initiatives have formed in Philadelphia such as the Settlement Music School (http://www.smsmusic.org/home.php) and the School of Rock (http://www.schoolofrock.com/index.php), but have not substantially counteracted the ongoing demise of in-school arts education.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2012 Lashawn Anthony, Shawn Martin (Author)

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
The Social Innovations Journal permits the Creative Commons License:
CC Attribution-NonCommercial-NoDerivatives 4.0
Under the following terms:
-
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
-
NonCommercial — You may not use the material for commercial purposes.
-
NoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
- You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
- No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material
Copyright and Publishing Rights
For the licenses indicated above, authors retain the copyright and full publishing rights without restrictions.